What brings us together is (broadly) the question of the deviation of point(s) of view(s) in the digital era.
For us,
this is related to the device, to the production of thought and culture by digital tools and the human relation
inside.
Touched by the wrong, we are interested in what derails, what deviates, the chains of elusive associations,
misunderstandings, over-interpretations. For the curatorial approach, we choose the chain and her possible
deviations to
put in light how these points of view move. To do so, each of us invited an artist who invited another
one.
A special
thanks goes to all the awesome artists of this pavillon Annie Abrahams, Marion Balac, Damien Beyrouthy, Vincent
Ciciliato, Lucile Haute, Tomek Jarolin, Carine Klonowski, Alice Lenay, Julie Morel, Kevin Niemeskern.
→ View more
derails
Forever Too Much, Much Too Forever
Forever Too Much, Much Too Forever an invitation to meet them in a place where we discuss our birth assignments
(gender,
social affiliation, ethnic origin, etc.), where we watch them deconstruct themselves, where we reinvent
ourselves.
social, even physical condition.
→ View more
urban art fair
more than 200 artists selected by 42 exhibitors, a third of whom come from abroad, here is enough to display a
wide
range of artistic expressions in the public space. street art, between graffiti, stencils, mosaics, stickers,
ephemeral
displays or installations, is one of the rare forms of creation visible to all, created for all.
→ View more
voltaje
voltaje is an exhibition which seeks to give an insight into the way in which different artists explore,
question,
confront and assume the multiple relationships between art and technology.
it is also a cultural initiative, created to make this field known to a wider audience, in which colombia has been a pioneer country in latin america since the 1970s. → View more
it is also a cultural initiative, created to make this field known to a wider audience, in which colombia has been a pioneer country in latin america since the 1970s. → View more
the icon of our time
the icon of our time is a painting that no longer lies on a stretched canvas, but of the screens that we look at
every
day. faced with these backlit paintings, the image is no longer the receptacle of light, but light itself.
monoliths
produced on a large scale, seductive objects of covetousness, these technologies become the source of modular
light 2.0,
smoothed in high definition. supporting the images that we zap every day, these tools become – in our eyes –
sources of
stories to watch.
→ View more
exaggerated feelings
this exhibition, claims human values, it focuses on feelings, on consciousness to lead us to ask ourselves: what
are the
values of the machine? around the works of donatien aubert, asdrubal colmenare, kamilia kard, tomek jarolim and
fabien
zocco we are invited to watch other creative processes materialize. asdrubal colmenarez, presents an interactive
work
that questions the collaboration between humans and robots while donatien aubert engages in an aesthetic
combining art
and science, fabien zocco, takes us back to the beginnings of a story, now programmed and kamilia kard presents
the
question of beauty with a “digital venus”. as for tomek jarolim, he is overflowing with effects to initiate
disturbing
reflections.
→ View more
safe immunity
By observing the machines we can study the social future. This selection of artists is a reflection on the
possibilities
of Man as a species, on his interaction with the elements that surround him and on the alternatives he can
create. This
exhibition therefore aims to reflect on what we call tangible and intangible, but also on our perception of
time,
whether distant or immediate.
Safe Immunity is an exhibition that brings together works with a strong awareness of the future, this selection
of
artists is a reflection on the possibilities of Man as a species, on his interaction with the elements that
surround him
and on the alternatives it can create. This exhibition therefore aims to reflect on what we call material and
immaterial, but also on our perception of time, whether distant or immediate. Yes, most of the creations are in
interaction with robots or with a scientific conscience. Thanks to the collaboration for the first time with the
well-established OneArtyMinute magazine.
→ View more
